Research on Fabric Surface Effect Techniques to Design Men’s Garments for Sustainable Development
Main Article Content
Abstract
Along with the development of industrialization and modernization, the rapid development of fast fashion has made the source of raw materials exhausted by the continuous purchasing and production in order to promptly meet the needs of customers. In addition, the emissions from the garment industry as well as the huge amount of discarded clothes that cannot be decomposed in time cause serious pollution. In the context that the world environment is at an alarming rate, the production of fashion products following sustainable fashion trends is a method of special interest. Sustainable fashion is being researched and applied more and more in the field of fashion design. In this article, the research team explores the sustainable fashion development orientation of companies and groups in the world and analyzes the development situation of sustainable fashion trends in Vietnam. The main method of research is using Boro and Sashiko techniques. This is one of the techniques that does not waste materials and creates interesting surface effects from the stitching technique. The research results are a combination of synthetic materials and recycled denim and stitching techniques to design a sustainable fashion collection. The study contributes to the development of a sustainable fashion product line serving the needs of society shortly, creating a new process that minimizes waste and harmful substances to the environment in the future.
Keywords
Boro technique, Sashiko technique, sustainable fashion
Article Details
References
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[3] Joergens, C. (2006). Ethical fashion: myth or future trend?. Journal of Fashion Marketing and Management, 10(3), pp.360-371. https://doi.org/10.1108/13612020610679321
[4] Henninger, C. E., Alevizou, P. J., & Oates, C. J. (2016). What is sustainable fashion?. Journal of Fashion Marketing and Management: An International Journal, 20(4), pp.400-416. https://doi.org/10.1108/JFMM-07-2015-0052
[5] Hayes, C. (2019). Sashiko Needlework Reborn: From Functional Technology to Decorative Art. Japanese Studies, 39(2), pp.263-280. https://doi.org/10.1080/10371397.2019.1634978
[6] Bieger, I. (2021). The Boro Style and the Sashiko Technique. In: Shin, C. S., Di Bucchianico, G., Fukuda, S., Ghim , Y. G., Montagna, G., Carvalho, C. (eds) Advances in Industrial Design. AHFE 2021. Lecture Notes in Networks and Systems, vol 260. Springer, Cham, pp. 707 - 716. https://doi.org/10.1007/978-3-030-80829-7_87
[7] Li, L. (2021). Reviving boro: The transcultural reconstruction of Japanese patchwork. Royal College of Art (United Kingdom), pp. 18-21.
[8] Kim, J. Y., & Kim, S. M. (2017). A case study on the reinterpretation of boro in modern fashion-between 2011 and 2016, Journal of the Korea Fashion and Costume Design Association, 19(2), pp. 29-37.
[9] Krull, E., & Lee, Y. A. (2020). The boro kimono. International Textile and Apparel Association Annual Conference Proceedings 77(1). Iowa State University Digital Press. https://doi.org/10.31274/itaa.11779
[10] Chang, Y. T., Cheng, W. H., Wu, B., & Hua, K. L. (2017, October). Fashion world map: Understanding cities through streetwear fashion. In Proceedings of the 25th ACM international conference on Multimedia, pp. 91-99. https://doi.org/10.1145/3123266.3123268
[11] Wikipedia, Streetwear. Retrieved October 25, 2022.
[12] Nguyen Thi Dieu Uyen, Fashion Marketing #2: Moi Dien brand - Vietnamese quality in product. Brands Vietnam. Retrieved August 3, 2022
[13] Sam, Henry. (2020).
[14] L'Officiel Vietnam. (n.d). Nhà thiết kế Tom Trandt. Retrieved August 3, 2022,
[15] Pop Fashion. (2022). Fashion Insight of Metaverse. Retrived August 3. 2022